This essay, originally written in May 2013, has now been published in the inaugural issue of Re-Imagining Magazine, a publication created by the Chicago Wisdom Project.
“To speak, to ask to have audience today in the world, requires that we speak to the world, for the world is in the audience; it too is listening to what we say.” With these words James Hillman opens his essay “Anima Mundi” in which he speaks of the return of soul to the world. Such is the task we face as a species, as human beings, as we learn to cultivate a different kind of relationship with our planet, the Earth which supports our very existence. But what eyes can we use to see the soul of the world? What languages can we speak to call out to the anima mundi? With what ears shall we listen to hear the Earth’s voices in reply?
As the final part of the Integrative Seminar, the capstone course of the Philosophy, Cosmology, and Consciousness master’s program, I gave this presentation as part of a day-long seminar with twelve of my fellow graduates in May 2013. The accompanying paper can be found here, and a shorter introduction is available here.
“The imagination is a tree. It has the integrative virtues of a tree. It is root and boughs. It lives between earth and sky. It lives in the earth and in the wind. The imagined tree becomes imperceptibly the cosmological tree, the tree which epitomizes the universe, which makes a universe…” – Gaston Bachelard
Imagine a stream, choked, murky gray, oiled surface, sunken deep below the watermark-stained banks. Feel deep within your soul the hopelessness of this place, the deadening of your senses to the despair of the river. Allow your imagination to fill with the river’s pain. Now, slowly, begin to imagine those waters rising, gradually at first, then more and more quickly, flowing first as a muddy trickle, widening into an onrushing stream. Bulbous plants begin to flourish along the banks, setting roots into the silted bottom. Filth becomes food, the waters begin to run clear. Light, once again, sparkles on the rippling surface. Fish return. What has allowed such a transition to occur? A re-imagining of purpose.
The imagination plays many roles in our practice of ecology upon this exquisite, blue and green celestial gem we have named Earth. As our planet suffers the ravaging destruction of industrialization and the consumptive growth of human greed, humanity is beginning to re-imagine its purpose in relationship to the Earth. The imagination is a multifaceted gift to ecology, one that can connect us to both our past and future, that can connect us with spiritual strength and moral empathy, that allows us to see our human role in an enchanted cosmos. The imagination is the eye of the soul, a bridge between the rational mind and the physical world, the opening of a realm in which the true beauty of the anima mundi can be revealed. Aspects of what could be called “imaginal ecology” can be glimpsed throughout the work of Joanna Macy, Thomas Berry, Brian Swimme, Mary Evelyn Tucker, Christopher Bache, James Hillman, Theodore Roszak, David Abram, and many other thinkers; it resounds in the poetry and philosophy of the Romantics, Transcendentalists and German Idealists. Imaginal ecology flourishes in the articulations of the enchanted realm of Faërie penned by J.R.R. Tolkien, and other fiction writers whose work reveals the enchantment of the realm in which we live.
The moral imagination of which Macy speaks can allow us to situate ourselves in the experience of other beings, whether ancestors of our past, or plants and animals, ecosystems of our current Earth, even beings of the future. Through imaginal practice we can hear the needs of others and recognize them as our own. Macy writes, “The imagination needs to be schooled in order to experience our inter-existence with all beings in the web of life.” We can gain spiritual and psychic courage by seeing with the imagination’s eye into our potentially dire future. The work of Bache allows one to envision such a future while learning to cultivate the spiritual center needed to stay grounded in such an unstable time. The grief and despair work of both Macy and Bache lay a solid foundation in reality that can act as the fertile ground from which creative solutions can sprout and flourish.
Imagination can carry us back through time to the flaring forth of our cosmos, and as we experience the unfolding of our universe our own role as human beings becomes clearer. As Swimme and Tucker write, “Every time we are drawn to look up into the night sky and reflect on the awesome beauty of the universe, we are actually the universe reflecting upon itself.” Such a realization can reorient our actions into a more harmonious relationship to the Earth as we recognize that we also are the Earth in relationship to ourselves.
Because we are the cosmos in human form, the pain of the world is expressing itself through our human pains, through our pathologies and diseases. The work of ecopsychology practiced by Hillman, Roszak and others, which itself could be seen as a form of imaginal ecology, seeks to engage in the healing of the soul of the world, the anima mundi.
Abram suggests that the imagination exists not only in the human but in the Earth and the cosmos itself. The imagination of the Earth is diverse, and varies from region to region like the landscape, affording various insights and ideas that differ by location. Abram writes,
There are insights we come upon only at the edge of the sea, and others we glimpse only in the craggy heights. Some prickly notions are endemic to deserts, while other thoughts, too slippery to grasp, are met mostly in swamps. Many nomad thoughts migrate between different realms, shifting their habits to fit the terrain, orienting themselves by the wind and the stars.
Our ability to create and sustain our existence, to imagine the future, is wholly dependent on this creativity gifted by the Earth.
The creative works of many authors and artists can serve ecology by offering a “recovery,” as Tolkien writes, giving us the opportunity of “regaining a clear view” of the enchantment inherent to the world in which we live. They offer a view of a fantasy realm, which Tolkien calls Faërie, crafted out of the materials of our everyday world, just as the painter’s or sculptor’s materials are drawn also from nature. Yet fantasy allows us to see these primary ingredients in a new way, once again marveling at the wonders of our own world. Tolkien shows the overlap between our world and Faërie when he writes,
Faërie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted. (Emphasis added.)
Faërie could then be seen as the real cosmos but without the human, or rather, without the disenchanted human. Fantasy—expressed through any art form, from literature, to painting, to sculpture—allows us to look again at our own world with new eyes, for as Hillman writes, “We pay respect to it simply by looking again, re-specting, that second look with the eye of the heart.” The role the imagination can play in ecology is to unlock the doorway to this realm, our own cosmos, and re-enter as re-enchanted human beings, reflecting on themselves in the form of the universe.
Abram, David. Becoming Animal: An Earthly Cosmology. New York, NY: Pantheon Books. 2010.
Bache, Christopher M. Dark Night, Early Dawn: Steps to a Deep Ecology of Mind. Albany, NY: State University of New York Press. 2000.
Bachelard, Gaston. On Poetic Imagination and Reverie. Putnam, CT: Spring Publications, Inc. 2005.
Berry, Thomas. Evening Thoughts: Reflecting on Earth as Sacred Community. San Francisco, CA: Sierra Club Books. 2006.
–––––. The Dream of the Earth. San Francisco, CA: Sierra Club Books. 1988.
–––––. The Great Work: Our Way Into the Future. New York, NY: Three Rivers Press. 1999.
–––––. The Sacred Universe: Earth, Spirituality, and Religion in the Twenty-First Century. New York, NY: Columbia University Press. 2009.
Hillman, James. The Thought of the Heart and the Soul of the World. Putnam, CT: Spring Publications, Inc. 2007.
Macy, Joanna. World As Lover, World As Self: Courage for Global Justice and Ecological Renewal. Berkeley, CA: Parallax Press, 2007.
Roszak, Theodore, Mary E. Gomes, and Allen D. Kanner, ed. Ecopsychology: Restoring the Earth, Healing the Mind. San Francisco, CA: Sierra Club Books. 1995.
Swimme, Brian and Mary Evelyn Tucker. Journey of the Universe. New Haven, CT: Yale University Press, 2011.
Swimme, Brian and Thomas Berry. The Universe Story. New York, NY: HarperCollins Publishers. 1994.
Tolkien, J.R.R. The Tolkien Reader. New York, NY: Ballantine Publishing Group. 1966.
 Gaston Bachelard, On Poetic Imagination and Reverie (Putnam, CT: Spring Publications, Inc, 2005), 85.
 Joanna Macy, World As Lover, World As Self: Courage for Global Justice and Ecological Renewal (Berkeley, CA: Parallax Press, 2007), 112.
 Brian Swimme and Mary Evelyn Tucker, Journey of the Universe (New Haven, CT: Yale University Press, 2011), 2.
 David Abram, Becoming Animal: An Earthly Cosmology (New York, NY: Pantheon Books, 2010), 118.
 J.R.R. Tolkien, “On Fairy Stories,” in The Tolkien Reader (New York, NY: Ballantine Publishing Group, 1966), 77.
This is the first day of a long-awaited journey, one that is two years in planning, and will at last be embarked upon. Two people, a Ford Focus, 18 days, and 6,000 miles (at least!) This morning Matt and I depart upon our cross-country road trip from San Francisco, California to Bennington, Vermont and back. The purpose? To retrieve my belongings that have been languishing peacefully in my dear uncle and aunt’s basement. The true purpose? To have an adventure, a real one, by driving deep into the heart of the American continent, and emerging on the other side to inhale the breeze on the Atlantic coast.
The first leg of the journey may indeed be the longest, as we leave the Bay Area and head east, aiming to arrive in Wendover, Utah by late evening. We will be camping out for our first two nights, before meeting up with family and friends for the remaining overnights of the trip. Our initial plan had been to drive through Colorado, but the wildfires blazing throughout the state have influenced us to reroute north. I am curious if we will see smoke along the way, or if we will be fully out of range. Climate change is indeed doing its damage, from the fires in the West, to the tornadoes in the Midwest and the East, and the 118° temperatures in Kansas. We will be experiencing the rapid changing of our planet first-hand on these travels.
Our planned route for the journey after Utah is to camp again in Cheyenne, Wyoming, then stay with my fraternal family in Kansas City, Kansas, Matt’s family in Cincinnati, Ohio, my paternal family in West Bloomfield, Michigan, before arriving in Bennington, Vermont to stay with more family and pack up my belongings. From the Green Mountain State we’ll drive to the Pioneer Valley, Massachusetts, where I went to school at Mount Holyoke College, and we’ll stay with friends in the area. Our next destination is New York City to stay with another friend, and then we’ll turn our eyes homeward once more. Another pass through Cincinnati and Kansas city, and then a stay with Matt’s aunt in Aspen, Colorado if the pass there is unobstructed by wildfire. If it is, my desire is to turn southwards and see some desert-land before we cruise back into the chilly humidity of our fog-bound San Francisco home.
We are outfitted for the trip with few items of clothing, but a multitude of entertainment: dozens of podcasts of This American Life, Fresh Air, Wait Wait Don’t Tell Me, as well as an obscure Tolkien podcast entitled An Unexpected Podcast. We will also have the treat to listen to Matthew Stelzner’s archetypal astrology podcast Correlations to help us stay attuned to the outer planets as we travel across the surface of our own home planet. Finally, we have the rare privilege of listening to a large collection of audio tapes I salvaged out of my father’s studio: lectures by Joseph Campbell, Rupert Sheldrake, Terrence McKenna, Bruno Barnhart, Robert McDermott, and several others. And lastly, if we can listen to the stereo no more, Matt will have his books on Schelling for his Ph.D. comprehensive exam, and I will have a few books of my own: The Road to Middle Earth by Tom Shippey, On The Road by Jack Kerouac, Spell of the Sensuous by David Abram, and, if a copy stumbles into my hand soon, The Cosmic Game by Stan Grof.
May the stars smile down upon us as we begin this journey, may the unexpected adventures be merry, and the expected ones all the sweeter for occurring,may the road be swift and safe, and may the landscapes be the deep pool from which I’ll fill the cup of my imagination. To quote a great traveller in the wilds of the imaginary, let me conclude:
The Road goes ever on and on Down from the door where it began. Now far ahead the Road has gone, And I must follow, if I can, Pursuing it with eager feet, Until it joins some larger way Where many paths and errands meet. And whither then? I cannot say.
The human species has only one home in the cosmos, one place that has intimately nourished us into existence, has made us the powerful, independent beings we are. Our home is day by day falling further into illness, a body and soul sickness descending toward death that can be felt by each person with the sensitivity or openness to perceive it. The planet Earth is suffering and, often without awareness of the connection, her inhabitants suffer with her. Humanity needs to awaken to the intimate interconnection and dependence of the collective psyche of the Earth, or the anima mundi, of which each of our psyches are an integral part. Together the Earth and humanity need to heal, and simultaneously move towards a wholeness in which we each have the sense of security of truly being home in our world.
The healing that must take place begins on the individual level, but can only be true healing when placed within the context of the whole. An approach to this healing that has been emerging over the last few decades is the field of ecopsychology, a psychology of the human soul taken within the context of the anima mundi, the larger ensouled world. The term “ecopsychology” was coined by the cultural historian Theodore Roszak to broaden the context of psychology and marry it to the study of ecology. The root eco is derived from the Greek oikos, meaning “home,” and psyche comes from the Greek for “soul” or “animating spirit”; thus ecopsychology could be seen as a study of the ensouled home, or the study of the soul at home.
The modern West, inheriting the Cartesian dualism of a split between spirit and matter, has come to see the human being as an isolated island of subjectivity experiencing a soulless, inanimate world. As humanity has become increasingly individualistic during the modern era, our sense of alienation from the Earth, and ultimately the cosmos, has increased as well. “An existential uncertainty haunts the modern psyche,” as the ecofeminist Charlene Spretnak writes, as a result of this alienation and sense of homelessness. For the modern human, the environment is considered to be “out there,” the “background for economic purposes” from which we are almost completely dissociated. At most, the world may cause profound suffering for the human, but it does not suffer itself, for it has no inherent subjectivity.
For the millions of humans who spend the majority of their lives within the concrete confines of cities, this dissociation from the natural world deprives the soul of an essential contact that makes the human being whole and healthy. Yet merely leaving the urban setting to visit a protected wilderness is not enough to heal the afflicted soul, for the Earth itself carries the sickness of the disconnection and, as the “geologian” Thomas Berry writes, “… the health of the planet is primary while human health is derivative. We cannot have well people on a sick planet.” The disease, as the archetypal psychologist James Hillman observes, is in both the person and the world. The suffering Earth is speaking her pain through us, and as Sarah Conn has perceived, she “speaks the loudest through the most sensitive of us.”
In most contemporary psychology, an individual experiencing “pain for the world” is considered to be projecting their inner turmoil onto the inanimate environment outside. Any desire to connect in a more meaningful way with the Earth, such as speaking in conversation with the voices of nature, could indicate a certain instability of sanity in the individual. Roszak points out that little has furthered the agenda of industrial civilization more than the repression of the ensouled animation of the cosmos .
The human relationship to the Earth in the West has become deeply riddled with pathologies as we almost blindly continue the unchecked destruction of our only home. The psychotherapist Ralph Metzner identifies some of humanity’s collective psychological disorders in his book Green Psychology, ranging from autism, to addiction, narcissism, amnesia, developmental fixation, repression, dissociation, and anthropocentrism. We have lost our ability for empathy and humility, our perception, and our sense of mystery. Hillman extends the vision of collective pathologies beyond the human sphere entirely, recognizing our psychological diseases manifesting in the world itself, in our food, our politics, our medicine, and even our language. He writes of “addictive” agriculture, “paranoid” businesses, “anorexic” or “catatonic” buildings, and “manic” consumption. Because, in some form or other, all people in industrial society participate in this pathological system, we become prone to these same diseases for the very reason these pathologies try to repress: we are intimately interconnected with every part of the world we inhabit. Conn, a practicing ecopsychologist, sees the symptoms of her patients “as ‘signals’ of distress in our connection with the larger context or as a defect in the larger context itself.” Whether we can identify the source or not, as the environmental activist Joanna Macy expresses, no one is exempt from this pain. For those who can understand the source of their pain, of their pathology, the ability to fully act on behalf of the Earth has often been so long denied it must be aroused by deep healing work, a profound therapy of the psyche.
In a personal correspondence to Roszak, the Australian rainforest activist John Seed speaks of the role therapy can play in the environmental movement: “Psychologists in service to the Earth helping ecologists to gain deeper understanding of how to facilitate profound change in the human heart and mind seems to be the key at this point.” Until quite recently, the scope of psychotherapy “stopped at the city limits,” but with the advent of ecopsychology, and other forms of reconnection between humanity and the Earth, as put forward by Roszak, Hillman, Berry, Macy, Conn, Metzner, and many others, that scope is at last broadening. Ecopsychology addresses the alienation felt by the modern human, and seeks to repair the sense of homelessness in the cosmos.
In assessing the pathological relationship modern humanity has with nature, Metzner questions whether some collective trauma, sustained from the terrors faced by early humans in the natural world, may have led to a form of shared amnesia and repression that severed our perception of the interconnection and harmony of the cosmos. If so, our healing process will have to address this trauma and begin to rebuild a new trust in the Earth. Like early humans we are still fully dependent on the Earth, but we hold far more power than primal peoples once did; with this power comes equal responsibility, for now not only is our survival dependent on the Earth, but the Earth’s survival has also become dependent upon us. One will not continue without the other, and as Berry describes, this “…is a community project. Only the community survives; nothing survives as an individual.”
A prevalent belief in Western civilization is that to address the needs beyond our individual selves we must first have our own lives together. Yet, because of the deep, though often veiled, interconnection of the human to the Earth, healing of the human and the planet must take place simultaneously. There cannot be a divorce between the two, for they are really one. Healing, as Conn writes, is “an exploration of ways to remember our wholeness, to reconnect with other humans and with the natural world.” We are not separate entities living on the Earth, but as the ecophilosopher David Abram observes, we are actually living in the Earth, walking hundreds of miles below the outer layers of the atmosphere. Our bodies our composed of the same elements as the Earth, the same as the entire cosmos. “We were mothered out of the substance of this planet,” Roszak writes, “Her elements, her periodicities, her gravitational embrace, her subtle vibrations still mingle in our nature, worked a billion years down into the textures of life and mind.”
If we are composed of the substance of the Earth, then not only our bodies but our psyches as well must be one with the Earth’s; we are differentiated souls forming and participating in one larger soul, the anima mundi. Our minds, rather than being solely our own, are rather facets of the consciousness of the planet, “…a power,” as Abram writes, “in which we are carnally immersed.” Conn discusses Arthur Koestler’s term “holon,” which indicates a self which is simultaneously a real individual but also an integral part of a larger whole. Each human psyche is a holon within the greater context of the anima mundi.
Hillman, the champion of soul and the anima mundi, sees the world soul as pervading all things, not only the natural world but each human-made object as well, animating trees, rivers, mountains, lions, and butterflies, but also the concrete roads, street lamps, bridges, buildings, and books and pencils too. We are forever caught in a dance of animating each other, human projecting upon the world, the world projecting upon the human, and also the world projecting upon all other facets of itself. Because of this living interplay we are able to perceive the Earth’s suffering within ourselves, feeling it as our own, because it is our own. Hillman recognizes that “the soul of the individual can never advance beyond the soul of the world, because they are inseparable, the one always implicating the other.”
As humanity broadens its sense of self to encompass the Earth, our care for self will extend to the planet as well. If we approach Carl Jung’s idea of the collective unconscious, or Pierre Teilhard de Chardin’s concept of the noosphere, as a part of the larger anima mundi, we can begin to uncover what Roszak calls the “ecological unconscious.” The ecological unconscious can “be drawn upon as a resource for restoring us to environmental harmony.” This can lead to the development of what Arne Naess has named the “ecological self,” a conception of the individual self always identified with and embedded in the larger context of the Earth environment.
One way to develop the ecological self and tap into the ecological unconscious is through the ecopsychological practice of bioregionalism. A bioregion is an area of land defined not by human boundaries but by the contours and features of the land itself, often a watershed, land enclosed by bodies of water, or changes in climate or elevation. By coming to intimately know the features of the bioregion in which we each make our home, we can develop a sense of place and belonging, a connection to the spirit of the land which is the spirit in us as well. If we acquaint ourselves with the soul of the land, we can come to know the anima mundi and thus come to know ourselves. Hillman writes, “We pay respect to it simply by looking again, re-specting, that second look with the eye of the heart.”
Part of the process of ecopsychology is actively engaging with the land, engaging with respect, or looking again to see what we could not previously. Conn describes some of the ways in which we can engage, from gardening and restoration work, to participating with environmental groups, to conducting rituals in nature. Each of these practices connects us to our bioregion, rebuilding a sense of home and harmony. Conn concludes her essay “When the Earth Hurts, Who Responds?” by saying:
The goals of therapy then include not only the ability to find joy in the world, but also to hear the Earth speaking in one’s own suffering, to participate in and contribute to the healing of the planet by finding one’s niche in the Earth’s living system and occupying it actively.
The entire universe is connected as one in the beginning of time, to the moment the cosmos flared forth. Those ties still remain, often hidden, waiting to be uncovered through patient healing work. As they are uncovered, humanity can see that to heal ourselves is to heal the Earth and to heal the Earth is to heal ourselves. Thus, together the planet and the human species will both be able to move toward wholeness, to see ourselves as integral holons in a larger sphere. We can once again come to realize we were always at home, in ourselves, in the Earth, in the cosmos.
Abram, David. Becoming Animal: An Earthly Cosmology. New York, NY: Pantheon Books, 2010.
Berry, Thomas. Evening Thoughts: Reflecting on Earth as Sacred Community. San Francisco, CA: Sierra Club Books, 2006.
–––––. The Great Work: Our Way Into the Future. New York, NY: Three Rivers Press, 1999.
–––––. The Sacred Universe: Earth, Spirituality, and Religion in the Twenty-First Century. New York, NY: Columbia University Press, 2009.
Hillman, James. The Thought of the Heart and the Soul of the World. Putnam, CT: Spring Publications, Inc., 2007.
Metzner. Ralph. Green Psychology: Transforming Our Relationship to the Earth. Rochester, VT: Park Street Press, 1999.
Roszak, Theodore, Mary E. Gomes, and Allen D. Kanner, ed. Ecopsychology: Restoring the Earth, Healing the Mind. San Francisco, CA: Sierra Club Books, 1995.
Roszak, Theodore. Person/Planet. Garden City, NY: Anchor Press, Doubleday, 1979.
Spretnak, Charlene. The Resurgence of the Real: Body, Nature, and Place in a Hypermodern World. New York, NY: Routledge, 1999.
 Charlene Spretnak, The Resurgence of the Real: Body, Nature, and Place in a Hypermodern World (New York, NY: Routledge, 1999), 222.
Humanity needs a new cosmology. The Earth needs a new poetry. As humanity’s discordant relationship with our home planet continues to wreak environmental devastation worldwide, no single solution can be put forward that can fully address the crises escalating on the Earth. The most creative answers will come to no avail if they are still trapped within the current mechanistic, reductionist worldview that initially set us so deeply out of balance. How are we, as a species, to address the issues of ecological destruction? The solutions require a creativity deeper and greater than the human alone. We must ask the Earth. As Thomas Berry puts it “…we need not a human answer to an Earth problem, but an Earth answer to an Earth problem.”
The chasm of communication between the modern human and the Earth is great, but not unbridgeable. David Abram posits that our human language is a gift originally from the Earth. “What if the very language we now speak arose first in response to an animate, expressive world––as a stuttering reply not to just others of our species but to an enigmatic cosmos that already spoke to us in a myriad of tongues?” This understanding of language as initially born out of the cosmos cannot be relegated to mere projection; the Earth calls forth the human imagination in diverse ways dependent upon the characteristics of the landscape. Language transcends human creativity alone.
The key imaginative language, the Rosetta stone of reconnection, must be poetic. The cosmos speaks directly to us, telling the story of its unfolding since time began, in the language of poetry. Earth poetry calls to us in the sighing death rattle of an autumn breeze among fiery-hued leaves; it radiates as the rich heat of black humus soil under the exposed skin of curious feet; it cries as the sonorous whale’s melody born through the crashing of a salty ocean wave. While many modern adults have long been closed off to this language, it is naturally available to children as they enter the world with fresh, enchanted senses: they can still read nature’s stories. The Earth has an inherent poetic quality to it, as its nature is “…bound into the aesthetic experience, into poetry, art, and dance,” as Berry notes. Our first task is to listen, an offering of the greatest act of love and respect to the Earth.
For humanity to once again hear the poetry of the Earth, the cosmos must be reenchanted. An innovative mythic worldview is needed in which humans understand their roles within the larger Earth and cosmic community. We need a “…vision of a planet integral with itself throughout its spatial extent and its evolutionary sequence… if we are to have the psychic power to undergo the psychic and social transformations that are being demanded of us.” Berry puts forth in his writings a call to the poets and artists of the world to help forge a new, mythically imbued cosmology that could culturally guide humanity’s survival into the future. “There must be a mystique of the rain if we are ever to restore the purity of the rainfall.”
In his book, Becoming Animal: An Earthly Cosmology, David Abram explores in poetic language these themes of reconnection and identification between the human and our Earth community. Drawing on his own rich sensory experience of the Earth, he is able to perceive the stories the planet is sharing with all of us. In complementary juxtaposition, Brian Swimme and Thomas Berry’s new cosmology, as presented in The Universe Story, also offers a meaningful, enchanted vision retold from the perspective of scientific inquiry. Both Abram’s, and Swimme and Berry’s, cosmologies present a new mythological story based on an understanding of the Earth, not as an object, but rather as an ensouled subject.
Scientific inquiry has been the driving force impelling contemporary Western culture forward. The objective stance of the scientist has unveiled vast expanses of knowledge previously unavailable to humanity. Yet this objectivity has also masked a myriad of other knowledges, deep wisdoms and mysteries that scientific impartiality cannot perceive. Such a detached position has led to a belief that the evolution of the cosmos, from its first moments of flaring into being, is a sequence of random happenstance, somehow arriving at life and the epiphenomenon of consciousness upon our well-situated, but insignificant, planet. While the scientific method has revealed much that could not be disclosed by our physical or intuitive senses alone, the abstractions it produces have also taken the position of primary truth; “… as a result, more and more of us come to assume that those theoretical realms are more true, more fundamental, more real than this palpable world that we experience with our breathing bodies.” Yet, it may actually be such that these scientific results are best understood when interpreted through our senses and emotions, illuminating the greater depths of scientific facts.
Swimme and Berry tell the scientifically grounded story of the evolution of the cosmos from a sensual, mythic perspective, unfolding the same science in a lyrical, poetic form that reveals those very qualities within cosmogenesis itself. From the “primordial flaring forth,” to the birth of stars, the formation of the galaxies, and the supernovas that forged the elements which seeded new stars and the planets, to the emergence of life on Earth, the complexification of life, and the evolution and cultural development of the human, this story is expressed as a celebratory event. The unfolding of the universe is the celebratory event, for “…celebration is omnipresent, not simply in the individual modes of its expression but in the grandeur of the entire cosmic process.” Each phase of the journey expresses the inherent subjectivity of each event, a thrilling sensuality contained within every fiber of the cosmos.
The Earthly cosmology of David Abram is first grounded in the intimacy of the senses, then moves out to encompass the tangible qualities of the land, the Earth, and finally the cosmos. Swimme and Berry begin at the macrocosmic level, while Abram begins at the microcosmic, yet their two cosmologies ultimately meet in the middle, revealing one story of cosmogenesis and the intimate experience of it in the present moment.
The Earth can be communed with in part by understanding our human similarity to the myriad of living and non-living beings surrounding us.
We can feel the trees and the rocks underfoot, because we are not so unlike them, because we have our own forking limbs and our own mineral composition… are tangible bodies of thickness and weight, and so have a great deal in common with the palpable things that we encounter.
An intimacy inherently exists between all beings in the cosmos, as we each have our origin in the first ecstatic moments of the universe’s flaring forth. This relationship has continued through all time, forming the complex webs of interconnection and symbiosis that make life on Earth possible. Our bodies, like the other bodies in the environment, all partake in the gift economy of the Earth: one organism’s waste is transformed into the nourishment of another. Currently, humanity has become an imbalance in this economy, taking much but returning sterile, or even toxic, waste that is of little use, and causes great harm, to the other organisms inhabiting the planet.
A common perception is that humans live on the Earth, but rather we are deeply embedded in ways our bodily senses are able to reveal to us. Take a breath of air. The air swirling around us, connecting the entire planet in its cycles, extends for miles from the surface of the land and the oceans. We live deep within the Earth because we stand below the layer of air which allows Earth to be what it is. Moreover, the composition of that air, so essential to life’s existence, also would not exist without the presence of life. Life and air mutually create each other. “To put it starkly, the biosphere is not simply in a habitable zone but also makes a habitable zone.” Furthermore, not only are we in the Earth, but the Earth is in us. From the air we breath, to the food we eat, and the water we drink, the Earth itself courses through our bodies, just as we make our course through the well-worn pathways of life on this planet.
Physical nourishment is not the only gift the Earth gives its inhabitants. As mentioned previously, language may be a property of the Earth itself, as well as emotion, imagination, and reflection. If the human has psychic capacities then such ability must lie first within the cosmos, and therefore the Earth. Consciousness, rather than an activity occurring solely within the human brain, may be an inherent quality of the Earth in which we each participate.
What if there is, yes, a quality of inwardness to the mind, not because the mind is located inside us (inside our body or brain), but because we are situated, bodily, inside it––because our lives and our thoughts unfold in the depths of a mind that is not really ours, but is rather the Earth’s? What if like the hunkered owl, and the spruce bending above it, and the beetle staggering from needle to needle on that branch, we all partake of the wide intelligence of the world––because we’re materially participant, with our actions and our passions, in the broad psyche of this sphere?
Just as we inhale the air, we intake conscious awareness. Most importantly, from this perspective, humans are not the only beings inhaling the psyche of the planet, but rather every living and non-living entity partakes in this consciousness, each in their own diversified manner.
Like the landscape, the consciousness of the Earth is diverse, and varies from region to region, affording various insights and ideas to the imagination that differ by location.
There are insights we come upon only at the edge of the sea, and others we glimpse only in the craggy heights. Some prickly notions are endemic to deserts, while other thoughts, too slippery to grasp, are met mostly in swamps. Many nomad thoughts migrate between different realms, shifting their habits to fit the terrain, orienting themselves by the wind and the stars.
The human imagination, and its ability for creative insight and innovation, is sustained by this diversity of the landscape and the myriad of beings living within it. Our ability to create and sustain our existence, to imagine the future, is wholly dependent on the creativity gifted by the Earth. If that gift is diminished, by species extinction and landscape destruction, our capacity to be fully human is also curtailed.
Enclosed in human-made cities and artificial environments, we will lose the capacity to think, dream, and create. The desire to forge a mutually-enhancing relationship with the Earth community is sustained by constant contact with the land, the ocean, forests, deserts, rivers, mountains, and the multitude of species living in these landscapes. If one is insulated from the array of life forces, then one’s desire to intimately know and respect them will dwindle and die. Such isolation leads to destruction for both the human and non-human, since something fundamental to the development of the cosmos is being constrained. As human creativity is stifled, the capacity to imagine solutions to environmental devastation is limited, unleashing a positive feedback loop that furthers ecological ruin and decreases awareness.
If humans treat the Earth and its multitude of abundant life as inert objects, then their inherent subjectivity becomes veiled, and even violated. The opportunity to commune with another ensouled being is lost. As Abram writes,
When I talk of the aspen or the granite outcrop as a determinate object, I push into unconsciousness my direct experience of trees and rock ledges, contradicting my carnal awareness of them as ambiguous beings with their own enigmatic ways of influencing the space around them, and of influencing me.
When we objectify the world in a merely instrumental way we deny ourselves even the possibility to encounter it as a meaningful subject. Once we choose to no longer speak to the Earth, to sing to the sunrise or hum to the cradling arms of an oak, to whisper to a chipmunk or call to a robin, then they will no longer speak to us, either. Even if they do, we will have lost our ability to hear them.
To open up such communication is to take a risk, stepping out of the stability of our everyday human interactions and into what is initially an utterly foreign language. Yet what is most key in all communication, whether between human, animal, plant, river, or soil, is honesty. The words do not have to be directly translated because the intonation and body language, that which all universe beings share, will carry the message, if we can surrender to trust it. Abram writes that he learned to sing when confronting an animal which he had startled, and which might potentially be dangerous if it felt threatened. The song was both relaxing to his own tensed nerves, and communicated that sense of safety to the animal before him. In another situation, when faced with hundreds of curious but angry sea lions, Abram began to dance, offering the sea lions a gift of his humanity portrayed through the animal expression of his body. Mesmerized by his movement, the sea lions were calmed from their initial fury at unexpected intrusion.
Such communication can be opened between humans and plants as well, although on a subtler level due to the greater genetic difference between the two biological kingdoms. Yet the doorway can be opened once again by finding the similarities, rather than focusing on differences, between the plant and the human. If one stands in a forest and listens attentively to the sound of wind through the tree branches, different dialects can be discerned between tree species, and even individual trees. While some might argue that this is not the trees speaking, but merely the wind passing through their branches, then we must be humbled to realize that the same thing is occurring with our own voices when we speak or sing. It is the air vibrating our vocal cords, just as that same air is vibrating the trees’ leaves and branches. Furthermore, it is that same air that is cycling around the planet, uniting the globe as a single being.
The cycling of carbon dioxide around the globe takes approximately a year to complete. In that time each molecule we breathe is circled to distant lands that we may never see with our own eyes. Yet our breath, which has shaped our speech and kept us alive, is distributed worldwide. It has been calculated that every growing leaf on the Earth, within a year, will contain a few dozen of the carbon atoms we exhale in every breath. The words we say, the poetry we speak, are crystallized within every leaf on the planet. We are listened to in a way almost impossible to imagine, indicating the power of our communication. We need to “…take deeper care with our speaking, mindful that our sounds may carry more than merely human meaning and resonance.” There is an “…uncanny power that lives in our spoken phrases to touch and sometimes transform the tenor of the world’s unfolding.”
Children are born into the world with this ability to whole-heartedly commune with the natural world. Indeed, for the very young child there is no separation between her sense of self and her surroundings. It is only with a growing awareness of her body that the child is able to perceive a quality of otherness in her environment. Yet, by emerging slowly from this embedded matrix, she is still able to communicate with the Earth, holding a fascination and sense of awe for all she encounters. Berry believed these encounters are essential for children, “… for it is from the stars, the planets, and the moon in the heavens as well as from the flowers, birds, forests, and woodland creatures of Earth that some of their most profound inner experiences originate.” A child who is able to interact with, and explore fully, the Earth community of which she is a part will be able to grow into an adult with an understanding of her place in the universe, and a vision of the interconnected web that is the Earth, her home. “Only after such an unimpeded childhood does a grown woman know in her bones that she inhabits a breathing cosmos, that her life is embedded in a wild community of dynamically intertwined and yet weirdly different lives.” It is just such an individual who will be open to the poetic communication of the universe, who will participate in its imagination and creativity to devise a mutually-enhancing relationship between the human and the Earth.
It is easy for the rational mind to dismiss the whispered stories of trees and the radiant breathing of the moon as projections of the human mind. No great truth is truth if it cannot be contradicted in some way. A sense of trust must be built between the isolated human and her environment. As that bridge is formed, what first seemed to be arrogant projection is really a deep perception. We are perceiving the similarities that draw connection between the human and the Earth, only to realize they are one and the same: “…our manner of understanding and conceptualizing our various ‘interior’ moods was originally borrowed from the moody, capricious Earth itself.” The human experience of emotions and consciousness are only qualities of the human because they are first qualities of the Earth, and prior to that the cosmos.
Two hundred million years ago, the first mammals flourished into existence as the next stage of the planet’s unfolding. Mammals developed an emotional sensitivity to the cosmos, impressing upon them the wonder and awe of the universe in a new way. It was out of the mammalian line that humans evolved, perceiving the great mysteries of the deep world as the archetypal, enchanted patterning of myth. In the opening to The Hero with a Thousand Faces, Joseph Campbell writes: “It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into the human cultural manifestation.” These inexhaustible cosmic energies may be the very same energies creating the consciousness of the Earth, in which we all participate.
Myths are the underlying stories that subtly guide the course of a culture’s manifestation. To discover a new myth to guide Western culture, and ultimately the planetary culture, toward a harmonious relationship with the Earth, the dialogue must be opened between humanity and the local landscape in which each human being finds herself. Each landscape inspires different emotions, ideas, and stories, causing the universal, archetypal energies coursing through Earth’s consciousness to take diverse, concrete form in different localities. “For the symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are spontaneous productions of the psyche, and each bears within it, undamaged, the germ power of its source.” Myth, like air or water, is a global, or universal, phenomenon saturated with the qualities of the local, as can be perceived when the local landscape is communed with.
The cultures living in the greatest harmony with the Earth are the indigenous oral cultures spread across the planet. Although each indigenous culture is as radically varied as the landscape in which they live, certain similarities connect their ways of life. Primarily, an oral culture is inherently local, grounded in the region in which they have culturally developed. It seems to be no coincidence that at the same time that the Earth’s ecosystems are unraveling, the planet’s indigenous cultures and their array of languages are also rapidly facing extinction. The diverse languages of the Earth are bound up into the land, and as the land is lost so are its poetic expressions.
The cultures that are causing the greatest environmental destruction carry a noble lineage of writings on religion, spirituality, philosophy, science, poetry, and story that are grounded in a deep reverence, care, and understanding of the Earth. These writings are easily available to nearly everyone in these cultures, yet the demolition of the natural world continues. Abram came to the realization that such a disconnect occurs because these ideas and stories are written down, “effectively divorcing these many teachings from the living land that once held and embodied these teachings.” Without the rich qualities of the landscape engaging every physical sense, these stories lose their sensual depth and cannot impart the full wisdom of the land which inspired them. Only if experienced in the landscape which first spoke the stories can the tales fully convey their meaning.
“Can we begin to restore the health and integrity of the local Earth? Not without restorying the local Earth.” As the consequences of the ecological crises become dire, the importance of learning to hear the innumerable voices of the Earth becomes critical. Each voice in every region is telling a unique facet of the universe’s unfolding, which must be heard and retold, inspiring the creativity to find a mutually-enhancing, self-renewing, sustainable path into the future. The true myth of the universe’s journey, from the eternal unfolding of the primordial flaring forth, to the ever-fleeting present moment, must be spoken as story, as the great myth of our time. This story must carry the voices of all the local inhabitants so that new relationships can be formed between them and each new generation of the human being. Children should be able to carry their wonder of the natural world into their adulthood in a mature, reverent form.
“We know of no other place in the universe with such gorgeous self-expression as exists on Earth.” Humans participate in that self-expression through our own creative self-expression: through our myths and stories, our music, writings and art, our innovation and traditions, and our conscious participatory way of being. It is through these expressive gifts that humanity will be able to step fully into its niche in the Earth community.
The new myths we will tell each other will express a tale of renewal, rejuvenation, and reconnection. The ancient cosmologies of the world were based in celebration of seasonal renewal, the cycles of life, death, and rebirth. The new story of the universe honors the irreversible changes unfurling in the course of the evolution of the cosmos. The sharing of that story brings about a reconnection between humanity and the cosmos, in itself a form of renewal. The mythology of the future is spiralic, a celebratory tale of transformation within the cycles of a living, breathing cosmos. The myth is like the Earth itself, continuously circling the sun while simultaneously hurtling forward on an unknown journey across cosmic time and space.
Abram, David. Becoming Animal: An Earthly Cosmology. New York, NY: Pantheon Books, 2010.
Berry, Thomas. The Dream of the Earth. San Francisco, CA: Sierra Club Books, 1988.
Berry, Thomas. The Great Work: Our Way Into the Future. New York, NY: Three Rivers Press, 1999.
Berry, Thomas. The Sacred Universe: Earth, Spirituality, and Religion in the Twenty-First Century. New York, NY: Columbia University Press, 2009.
Campbell, Joseph. The Hero with a Thousand Faces. Novato, CA: New World Library, 2008.
Crist, Eileen and H. Bruce Rinker, ed. Gaia in Turmoil. Cambridge, MA: The Massachusetts Institute of Technology Press, 2010.
Dellinger, Drew. Love Letter to the Milky Way. Mill Valley, CA: Planetize the Movement Press, 2010.
Swimme, Brian and Thomas Berry. The Universe Story. New York, NY: HarperCollins Publishers, 1994.
 Credit for this title must be given to Matthew David Segall, who created the phrase at Esalen Institute in conversation with poet Drew Dellinger, regarding Dellinger’s poem “Planetize the Movement.”
 Drew Dellinger, “Hymn to the Sacred Body of the Universe,” in Love Letter to the Milky Way (Mill Valley, CA: Planetize the Movement Press, 2010), 30.
 Thomas Berry, The Dream of the Earth (San Francisco, CA: Sierra Club Books, 1988), 35.
 David Abram, Becoming Animal: An Earthly Cosmology (New York, NY: Pantheon Books, 2010), 4.